Author: KODERA, TSUKASA
Title: Vincent van Gogh : Christianity versus nature
Description: Amsterdam ; Philadelphia : J. Benjamins Pub. Co. 1990. First Edition. Fine cloth copy in an equally fine dust wrapper. Particularly and surprisingly well-preserved; tight. bright. clean and especially sharp-cornered. Series; Oculi: studies in the arts of the low countries; v. 3. Physical description; x. 283 pages. 8 unnumbered leaves of plates: illustrations (some color); 25 cm. Notes; Revision of thesis (Ph. D.)--University of Amsterdam. 1988. Includes bibliographical references (p. [159]-172) and index. Contents; 1. Foreword. pix; 2. Abbreviations. pxi; 3. Introduction. p1; 4. 1. Dominocratie: Van Gogh and the theologians' culture in nineteenth-century Holland. p13; 5. 2. The Church versus the sun: substitution of motifs. p27; 6. 3. Light in the darkness: survival of a Christian concept. p41; 7. 4. Japan as primitivistic utopia: Van Gogh's japonist portraits. p51; 8. 5. 'In the sweat of thy face shalt thou eat bread': diggers in the oeuvre of Van Gogh. p67; 9. 6. Christianity versus nature: Emile Zola's La faute de l'abbe Mouret. p79; 10. 7. Conclusion: triumph and defeat of nature. p93; 11. Notes. p99; 12. Appendix I: Chronological tables. p133; 13. Appendix II: Zionskapel in the Barndesteeg: Van Gogh as a Sunday school teacher. p157; 14. Selected bibliography. p159; 15. List of illustrations. p173; 16. Illustrations. p181; 17. Photographic acknowledgments. p273; 18. Index. p275. Summary; This book analyzes the deeper meaning of recurring themes in van Gogh's uvre. such as the sower. the sun and the sunflower. against the religious background of his time. It traces the conflict between Christianity and nature that underlies the process of substitution of natural for Christian symbols which we find in van Gogh's uvre. The author has made a careful inventory of the principal motifs in van Gogh's uvre and studied the ways in which these have been combined and manipulated. By this method it can be demonstrated. not only that initially van Gogh uses explicitly Christian motifs such as the church spire. but also that their function is later taken over by motifs from nature like the sun and the starry night. Kodera discusses the meaning of these symbols and quotes extensively from contemporary material and from van Gogh's letters to show how this process of naturalization was influenced by specific artistic sources such as French Naturalist novels and Japanese prints. Subjects; Gogh. Vincent van (1853-1890) - Religion. Nature - Religious aspects - Christianity. Nature (Aesthetics). Dutch paintings - Gogh. Vincent van - (1853-1890). Nature - Depictions. Symbolism - 19th century. Symbolism - Christian. Impressionism; Painting & paintings. Post-Impressionism. ART / History / General. Genres; Bibliography. Illustrated. text. Thesis. ISBN: 9027253331. Weight in Kg appr.:

Keywords: 9027253331