Author: BACON, FRANCIS (1909-1992); CALVOCORESSI, PETER; HARRISON, MARTIN (1945-); WARNER, FRANCIS
Title: Francis Bacon, Henry Moore: flesh and bone
Description: Oxford Woodbridge: Ashmolean Museum of Art and Archaeology. University of Oxford; Antique Collectors' Club 2013. 1st edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight. bright. clean and especially sharp-cornered. Literally as new. Physical description; 160 p.: ill. (chiefly col.). ports.; 28 cm. Notes; Text by Richard Calvocoressi. Martin Harrison. and Francis Warner. Colls. Catalogue of an exhibition held at Ashmolean Museum (Oxford). 12 Sept. 2013 - 5 Jan. 2014 [extended to 19th Jan.]. Includes bibliographical references. Summary; In their different mediums. Henry Moore (1898-1986) and Francis Bacon (1909-1992) created unforgettable images of the human figure. The distinctive visual languages that each artist developed over more than half a century were marked by a growing simplicity and monumentality of form. Their perspective differed: Moore clung to a belief in humanism. while Bacon espoused a post-humanist. nihilistic view of the world. In expressing their visions of humanity. the two artists had very different approaches: Bacon working from the outside in. disintegrating and dissolving form; Moore from the inside out. pushing anatomical structure to the surface. If Bacon's images suggest flux. chance. and the arbitrariness of existence. Moore's sculptures have been interpreted as universal symbols of strength and endurance. Bacon and Moore first exhibited together in a group exhibition at the Lefevre Gallery in London in which Bacon showed his Three Studies for Figures. at the Base of a Crucifixion (1944). propelling him into the limelight for the first time. Moore showed two sculptures from the 1930s and fourteen wartime drawings. some of which anticipate the theme (though not the savage imagery) of Bacon's triptych. Exhibiting together in a commercial gallery was repeated twice in the 1960s. when Moore and Bacon were both represented by Marlborough Fine Art. These joint shows. extensively reviewed in the press. gave critics a chance to compare the artists' radical approaches to the human figure. which were seen as complementary rather than conflicting. Fifty years later. this publication once again brings their work into direct comparison. Subjects; Bacon. Francis 1909-1992 - Exhibitions. Moore. Henry 1898-1986 - Exhibitions. Painting - Great Britain - 20th century - Exhibitions. Sculpture - Great Britain - 20th century - Exhibitions. Art. British - 20th century. Human figure in art. History of art & design styles: from c 1900 -. Individual artists; Painting & paintings; Sculpture. ART / Collections. Catalogs. Exhibitions / General. Weight in Kg appr.:

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